| Description | Sculptor |
| Dates | 1950- |
| Lived/Worked | India, London, Liverpool, Milan, New York, Italian , Regensburg, Frankfurter Kunstverein, Tokyo, Japan, New South Wales, Sydney, Australia, Paris, Salzburg, Montreal, Canada, Oktagon, Stuttgart, Germany, Konsthall, Malmo, Sweden, Moderna Galerija, Ljubljana, Slovenia, Zagreb, Croati, Ville de Rennes, France, Prague, Czech Republic, Vienna, Austria, Cantz, Cologne, Germany |
Antony Gormley is best known for making life-size figurative sculptures made from moulds of his own body. He would use heavy metals to cast that specific anatomy into powerful, mysterious figures, Gormley's work has enjoyed the kind of popular embrace that often attends such traditional forms and materials. Field is a more recent piece of Gormley's work located somewhere between figure and object. It is a series of projects begun in 1993, involving the creation - with local help - of tens of thousands of rough terracotta figurines in various locations across Europe and America. As each figure is hand-sized and hand-made, their cumulative effect is both personal and impressive. Field is a work
about community and self-awareness, and about the relation between our own shape and the shapes of the things we make. also another one of his best know work is the towering figure, The Angel of the North which was completed in 1998 and stands outside Gateshead on the A1. It is constructed from the dimensions of his body and mathematically enlarged to around 65 feet high with a wingspan of 177 feet.
Since the late 70s, British artist Antony Gormley has been internationally recognized as having breathed new life into the use of the human form in sculpture. Throughout his career, Gormley has used his own body as a model, the starting point from which to explore the relationships between bodies and the contexts, which they inhabit, primarily through the medium of sculpture. Over this time he has created some of the most ambitious and recognizable works of the past two decades including Field, The Angel of the North and, most recently, Quantum Cloud for the Millennium Dome in Greenwich.
Gormaly has created large-scale installations in Cuxhaven in Germany, at the Royal Academy in London, has participated in group shows such as the Venice Biennale and Documenta 8, and has had solo exhibitions at the Whitechapel Gallery, the Serpentine Gallery and White Cube. His sculptures range from vast steel figures, to plaintive masses of tiny clay figures, with his archetypal life-size body casts somewhere in between.
Antony Gormley’s work is relevant to all key stages for many commonly studied topics. His art explores a range of issues that stretch across the curriculum. A visit to the exhibition could provide the starting point for a range of creative work, not just within art and design, but also within subject areas such as English, science, maths, physical education and citizenship.
Sculptor Antony Gormley's work was influenced by modernist theory and non-Western religious studies. Antony
Gormley has selected works of art from the National Collection that he personally
has found interesting or inspirational. He has chosen a particular group of works by Barbara Hepworth, Ben Nicholson and Naum Gabo.
Public Collections:
Tate Gallery, London
White cube, london
Victoria and Albert Museum, London
Contemporary Arts Society
Southampton City Art Gallery
Leeds City Art Gallery
Henry Moore Foundation for the Study of Sculpture
Scottish National Gallery of Modern Art, Edinburgh
British Council
Arts Council of Great Britain
British Museum
Jesus College, Cambridge
Ashmolean Museum, Oxford
Jerwood Collection, Witney
Science Museum, London
Art Gallery of New South Wales, Sydney, Australia
Lhoist Collection, Brussels, Belgium
Herning Kunstmuseum, Denmark
Louisiana Museum, Denmark
Sastamoinen Collection, Finland
Ville de Rennes, France
Neue Museum, Kassel, Germany
Stadt Kassel, Germany
Irish Museum of Modern Art, Dublin, Ireland
Israel Museum, Jerusalem, Israel
Tokyo City Opera, Japan
Kirishima Sculpture Park, Japan
Nagoya City Art Museum, Japan
Iwaki Municipal Museum, Fukushima,
The Hakone Open-air Museum, Japan
Tokushima Art Museum, Japan
Sapporo Sculpture Park, Hokkaido, Japan
Wakayama Prefectoral Museum, Japan
Caldic Collection, The Hague, Netherlands
Museet for Samtidskunst, Oslo, Norway
Fundac"o Calouste Gulbenkian, Lisbon, Portugal
Fundac"o Berardo, Sintra, Portugal
Malmo Konsthall, Sweden
Moderna Museet, Stockholm, Sweden
Umedalen Sculpture Foundation, Umea, Sweden
Weltkunst Foundation, Zurich, Switzerland
Marquiles Foundation, Florida, USA
Museum of Modern Art, Fort Worth, TX, USA
Museum of Contemporary Art, Los Angeles, USA
Walker Arts Centre, Minneapolis, USA
Museum of Contemporary Art, San Diego, USA
Museum of Modern Art, Vienna
Works in Public Places:
OUT OF THE DARK, Martinsplatz, Kassel, Germany, 1987
SOUND II, Winchester Cathedral, U.K., 1989
OPEN SPACE, Place Jean Monnet, Rennes, France, 1993
IRON:MAN, Victoria Square, Birmingham, U.K., 1994
HAVMANN, Mo I Rana, Norway, 1995
BEARING IV, Tongyoung City, Korea, 1997
ANGEL OF THE NORTH, Gateshead, U.K., 1998
RHIZOME II, Expo Parque, Lisbon, 1998
QUANTUM CLOUD, The Thames, Greenwich, London 2000
WELL, Ministry of Health, Welfare and Sport, The Hague, Holland, 2000
PASSAGE, Caumont, France, 2000
SITE OF REMEMBRANCE, Oslo, Norway, 2000
DOROTHEENBLOCKE HAUS 6, Berlin, Germany, 2000
MIND-BODY COLUMN, Osaka, Japan, 2000
www.antonygormley.com - Homepage
www.whitecube.com - Gallery
Barbara Hepworth, Martin Smith